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Between global and local ecologies
Between global and local ecologies

Liliana Gómez (Hg.), Fabienne Liptay (Hg.)

Eco-operations

What is euphemistically called climate change, or more directly climate crisis, has already become part of both aesthetic discourses and critical research perspectives in culture and the arts. Yet, until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles, or on the impact on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived potentialities of artistic actions are being explored by new alliances of artists, curators, activists, scholars, and other actors of...
  • Klimawandel
  • Kooperation
  • Ökologie
  • Künstlerische Praxis
  • Globale Ökologie
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Eric Baudelaire

A for Anomie

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

 

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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Saturnaaaaalien

Sina Dell’Anno

Saturnaaaaalien

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  • Diskursgeschichte
  • Rhetorik
  • Antike
  • Zensur
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The Architecture of Disaster
The Architecture of Disaster

Ines Weizman, Eyal Weizman

Before & After

History is increasingly presented as a series of catastrophes. The most common mode of this presentation is the before-and-after image—a juxtaposition of two photographs of the same place, at different times, before and after an event has taken its toll. Buildings seen intact in a “before” photograph have been destroyed in the one “after.” Neighborhoods bustling with activity in one image are in ruins or under a layer of foulwater in the next. Deforestations, contaminations, melting icebergs and drying rivers...
  • Forensik
  • Krieg
  • Fotografie
  • Geschichte der Fotografie
  • Fotografische Bilder
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Courbets Gesicht, erfunden von Baudelaire

Michael F. Zimmermann

Courbets Gesicht, erfunden von Baudelaire

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  • Subjektkritik
  • Kunsttheorie
  • Zeichnung
  • Selbstporträt
  • Subjekt
  • Malerei
  • Realismus
  • Kunstgeschichte
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»This is not my blood.«

»This is not my blood.«

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  • Mensch-Tier-Kommunikation
  • Performance-Kunst
  • Identität
  • Videokunst