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Between global and local ecologies
Liliana Gómez (Hg.), Fabienne Liptay (Hg.)
Eco-operations
What is euphemistically called climate change, or more directly climate crisis, has already become part of both aesthetic discourses and critical research perspectives in culture and the arts. Yet, until recently, the focus has mainly been on the representation of the prevalent ecological relationships and cycles, or on the impact on the environment and contemporary society. Increasingly, however, future-oriented, ecologically conceived potentialities of artistic actions are being explored by new alliances of artists, curators, activists, scholars, and other actors of...
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Magazin Online
Sammelband
Zur Kritik der Wirksamkeit in den Künsten
Kathrin Busch (Hg.), Burkhard Meltzer (Hg.), Tido von Oppeln (Hg.)
Ausstellen
Sammelband
Zu einer Poetik des Seriellen
Elisabeth Bronfen (Hg.), Christiane Frey (Hg.), David Martyn (Hg.)
Noch einmal anders
Monografie
Around a sculpture by Alberto Giacometti
Georges Didi-Huberman, Mira Fliescher (Hg.), Elena Vogman (Hg.)
The Cube and the Face
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Ornamentation is the body of our thought
Elena Vogman
Dynamography, or Andrei Bely’s Rhythmic Gesture
The experience of the Russian Revolution transformed both the perception and the epistemic notion of time. It challenged artistic and scientific modes of production with the invention of new models of temporality. Nonlinear, morphological, and materialist models of time seemed to correspond more precisely to the irruptive event of the revolution. These echoed more the new political constellation than a historicist or purely philosophical notion of a homogeneous time as a condition a priori to any experience. New theories in...
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